There is a tendency for these to be discussed as radically distinct areas of endeavor and to be evaluated according to different criteria, when in fact they have been synchronic, mutually involved, and reciprocally reinforcing throughout Walcott’s career.
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Poems and plays are included on an equal basis, since it is central to my intention to consider the drama alongside the poetry. My overall intention is to grapple with some of the meanings of “epic” in relation to what is now an extensive and extraordinary oeuvre, produced over half a century of consistent and original literary production, profound, historically important, and continually of memorable beauty. The second part, with his craft as its theme, begins with a focus on his approach to language and then gives some more detailed readings of the crafting of particular works, some of them familiar, others less so. It shows him as a mythopoeic writer, engaged both in the dialectics of counterdiscourse and in the initiation of new practices, marking Caribbean difference. The first part of the book examines Walcott’s ideology, paying particular attention to his own exposition of his thinking, in his essays, public appearances, and interviews, and relating his discursive strategy to a range of the literature. Clearly, neither of these can be exhaustive, but I hope that some fresh approaches will perhaps shed a clearer light on the world of Walcott’s art. This study aims to do two things that I feel existing critiques miss: to read Walcott’s work in the light of his own views and to map some of his aesthetic strategies. “The Echo of the Shape”: Metamorphosis of the Homeric 281 “To Praise Lovelong”: Conclusion 313 Notes 325 Bibliography 361 Index 375 “The Joy of the Ghost Dance”: The American Epic 263 12. “The Moment of Stillness”: The Arrivants’ Last Carnival 244 11. “All You Stick Together”: The Epic Federation Dream 229 10. “The Theatre of Our Lives”: Founding an Epic Drama 208 9. Appropriating Heirlooms: The Fortunate Traveler’s Intertext 175 8. “A Crystal of Ambiguities”: The Craft of Mythopoeic Imagery 159 7. “The Smell of Our Own Speech”: The Tool of Language 125 6. Sees Its Mythopoeic Coast”: Manipulating Myth 91 Part II. “Where Else to Row, but Backward?” Dealing with History 63 4. “Is There That I Born”: The Gift of Place 29 3. “Becoming Home”: Modeling the Caribbean Subject 13 2. Preface ix The Apple of His Island: Introduction 1 Part I. University Press of Florida 15 Northwest 15th Street Gainesville, FL 32611–2079 įor Louis with gratitude and affection and for Matthew, Joanna, and Daniel with love and thanks PR9272.9W 811'.54-dc21 00-064842 The University Press of Florida is the scholarly publishing agency for the State University System of Florida, comprising Florida A&M University, Florida Atlantic University, Florida Gulf Coast University, Florida International University, Florida State University, University of Central Florida, University of Florida, University of North Florida, University of South Florida, and University of West Florida. Politics and literature- Caribbean Area-History-20th century. Walcott, Derek-Political and social views.
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Includes bibliographical references and index. Myers Florida International University, Miami Florida State University, Tallahassee University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacolaĭerek Walcott Politics and Poetics Paula BurnettĬopyright 2000 by the Board of Regents of the State of Florida Printed in the United States of America on acid-free paper All rights reserved 05 04 03 02 01 00 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Burnett, Paula, 1942– Derek Walcott: politics and poetics / Paula Burnett. Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft.